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For the past 30 years, the Jakob Dylan-led act stood as one of rock’s most dynamic and purposeful bands–a unit dedicated to and continually honing a sound that meshes timeless songwriting and storytelling with a hard-hitting and decidedly modern musical attack. That signature style has been present through the decades, baked into the grooves of smash hits like 1996’s Bringing Down the Horse as well as more recent and exploratory fare like 2012’s Glad All Over. Even so, in recent years, Dylan–the Wallflowers’ founding singer, song writer and guitarist– has repeatedly stepped outside of his band, first with a pair of more acoustic and rootsy records, 2008’s Seeing Things and 2010’s Women + Country, and then with the 2018 film Echo in the Canyon and the accompanying soundtrack, which saw him collaborate with a host of artists classic and contemporary, from Neil Young and Eric Clapton to Beck and Fiona Apple.

Dylan continues with Exit Wounds, the brand-new Wallflowers studio offering. The collection marks the first new Wallflowers material since Glad All Over. And while the wait has been long, the much-anticipated record finds the band’s signature sound– lean, potent and eminently entrancing–intact, even as Dylan surrounds himself with a fresh cast of musicians.

For Dylan, Exit Wounds is the next chapter in a career devoted to chasing – and capturing – that magic. “I came up in an era of great rock ‘n’ roll bands making great music, and it’s the way I always imagined I would do it one day,” he says. “So that’s always been my vision with the Wallflowers–to be a great rock ‘n’ roll band. And I've worked on it for 30 years now and I still have a lot to say. It’s something I started a longtime ago, and it’s far from finished.”